More Questions About Ender’s Game Answered

May 30, 12 More Questions About Ender’s Game Answered

This week, Orci has answered a new set of fan questions on the Ender’s Game production blog, and he’s given us a look at the seal for the International Fleet.

Ccspatriot35 asks: How militaristic will the environment be? Will we be seeing the children treated like the soldiers they are meant to portray? For all intents and purposes they are in boot camp for most of their adolescence. Will we see the characters being broken down?
Funny you should ask. We had a great visit with some online press who visited the set, and they got to talk to our actors. Without giving too much away, they told great stories of not only going to Space Camp, but also having to undergo a form of boot camp with a no nonsense instructor who taught them how to march properly in unison and much more. And when they screwed up they were ordered to do push ups! They got in shape trust me. It’s painful for my self image to see so many young kids with six pack abs. Maybe I should go to boot camp next.

DavidB asks: How is the film team approaching the great deal of wonderful internal monologue? Voice-overs rarely translate well to the visual medium of film, so just wondering what types of mechanisms will be considered to convey the “important stuff” inside Ender’s head?
We have a muppet of the Colonel who narrates the whole thing from the future. Oh, no wait, different movie. I joke because that is a great question and I think Gavin would tell you that it was the biggest challenge he faced in composing his script. It was also the most challenging aspect of the casting process. So here we have two things that really make it happen. First, we got such an unbelievable group of actors who can convey so much with their faces and body language… frankly, with their performances, which is something a book is denied using to convey inner emotion or thought.

And secondly, of course, Gavin elegantly translated some of the inner thought into action or character decisions in his script — drama — and that allowed him to find natural places for the characters to speak about what they are going through.

Joey Oliver asks: How much of Bean’s story will we be hearing about?
Bean who? Oh, Bean! You should know how much Orson Scott Card advocated for as much Bean as we could muster, and really encouraged ways to make him pivotal. You’ll decide if we succeeded! I think we did. And we’re even more excited for you all to experience Aramis Knight’s fantastic portrayal of Bean.

Katrina asks: How has the book been adapted to script to work with the ages of the actors?
Time has been compressed impressionistically. Though we don’t specify how much time has passed, leaving it somewhat up to your imagination, it is clear that the time span is not as long as the book’s.

Sarah Pezzat asks: Is it still about using empathy as a weapon?
One of the great themes that is explored, in more ways than one, is how empathy can be seen as a weakness or a strength. How understanding an enemy makes you also understand their weaknesses. And even how withholding empathy can also be a weapon. The fact that the audience is going to want nothing more than for commanders to show these young people warmth and understanding, but that it has to be weighed against the fear of it being not in the young soldiers best interests in order for them to do what they have to do, makes for fascinating stuff.

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